Sunday, September 21, 2008

Rene Magritte High Society painting

Rene Magritte High Society paintingRene Magritte Donna paintingArthur Hughes The King's Orchard painting
busy, and glad to see him taking an interest in his family’s history. She had begun to fear that by sending him to a school without “tradition” she might have made a socialist of the boy. When, shortly before the Christmas vacation, work was found for Tom she took charge of his notes. “I am sure Gervase will be extremely interested,” she said. “He may even think it worth showing to a publisher.”

The work that had been found for Tom was not immediately lucrative, but, as his mother said, it was a Beginning. It was to go to Wolverhampton and learn the motor from the bottom. The first two years were to be spent at the works, from where, if he showed talent, he might graduate to the London showrooms. His wages, at first, were thirty-five shillings a week. This was augmented by the allowance of another pound. Lodgings were found for him over a fruit shop in the outskirts of the town, and Gervase gave him his old two-seater car, in which he could travel to and from his work, and for occasional weekends

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