Claude Monet Poplars painting

Claude Monet Poplars paintingClaude Monet La Grenouillere paintingClaude Monet Cliffs Near Dieppe painting
That after her orgasm the woman is less magnetic, enthused and delightful as a partner, enjoys the Karezza less, and quite often soon becomes indifferent, depressed or irritable.
That indulgence in the orgasm on either side cultivates the merely sexual at the expense of the affectional, the romantic, the spiritual.
As I know that a woman who has known the perfect orgasm may deliberately abandon its practice completely in favor of Karezza, on the ground of its being less satisfying than Karezza minus all orgasm, and as I know that women who have never in all their lives had an orgasm may be beautifully satisfied and blissfully happy as well in Karezza without it, and this more and more as the years go on, I feel that I have good grounds for saying that I believe the orgasm in the woman is entirely unnecessary and artificial and that she is better off without it.
The ordinary male orgasmal embrace seldom satisfies the woman. It is too brief and animal for her. And if she is not satisfied in sex of course she suffers. But if she can have the orgasm